Visualizing Partition: A Feminist Approach to Film and Media Representation in Journalism

ARTS

The partition of India in 1947 stands as a momentous historical event marked by profound human suffering and widespread social disruption. While this event has been the subject of extensive scholarly scrutiny, there exists a notable gap in the examination of its representation in film and media journalism from a feminist standpoint. This research paper sets out to bridge this gap by delving into the portrayal of the partition within the realms of film and media journalism through a feminist lens. Through a comprehensive analysis, this study scrutinizes the construction and visualization of gender dynamics, agency, and narratives inherent in these visual representations. By closely examining pivotal films and media reports, this paper aspires to illuminate the ways in which feminist perspectives can enrich and deepen our comprehension of the visual representation of the partition. It is our belief that this research will contribute to a more nuanced and inclusive understanding of this historical event and its depiction in visual media, thus opening new avenues for exploration and discussion within the field of feminist analysis of visual history.

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